What might it mean to be oceanic? To act in the world from a place of oceanic consciousness? "From a Whale’s Back" is an installation that explores the visual and sonic underwater world inhabited by whales of different species - orcas, humpbacks and minkes - from Antarctica to the northeastern Pacific. It uses video taken from tags used by scientists to monitor whales. From A Whale’s Back explores the latest technology for researching behavioral characteristics of whales, using tags suction-cupped to the back of the whale.
The Fourth State Of Water: From Micro To Macro
Centre of Contemporary Art 'Znaki Czasu', Turon, Poland
Dates: Mar 02, 2012 to Apr 29, 2012
Opening Reception: March 2, 2012 at 7 pm
Olt River, 44º15'10.9"N 24º25'09.3"E
Painted photograph from the 6-piece series 'Hacia el mar' (Towards the sea). Local women from Romania merge with their environment through the rivers Argeș, Ialomița, Jiu, Olt, Nera and Cerna, all of them tributaries of the old and, somehow mythical, Danube, a river venerated by the old geto-thracian civilizations surrounded by rituals, practices and beliefs, some of them of universal nature and yet connected with ancient cultures.
VICTORIA VESNA / ALFRED VENDL / MARTINA FRÖSCHL
5 Jun 2017 - 12:00pm
NOISE AQUARIUM premieres June 5th as a featured project at the WEB3D Art Gallery ON | OFF: 100101010
VICTORIA VESNA in collaboration with Dr. ALFRED VENDL and MARTINA FRÖSCHL from the Science Visualization Lab Angewandte, University of Applied Arts, Vienna have been developing this project for the past year and now it is showing at the Queensland University of Technology in Brisbane, Australia. The work is projected on the cutting edge QT CUBE screen.
Works of the Sci Art Nanolab Team
UCLA Sci|Art Nanolab instructors Rita Blaik, Amisha Gadani, Mick Lorusso, Olivia Osborne, David Prince and Dan Wilkinson present their collaborations integrating living systems, microfluidics, the watershed, climate change and ice.
OBSIDIANA is an interactive installation and cymatic instrument that uses data from light frequencies reflected on water to play patterns created by sound visualization. The piece is projected onto a 10 ft interactive circular screen with embedded photocell light sensors. The data collected and visualized creates a cymatic feedback instrument. Inspired by the Mayan obsidian water mirror, it reflects the concept of art as shamanism, operating as a mediator to connect different realms of consciousness to shown the unknown.
The Living Water Project consists of a group of creations, actions and reflections about the water element from an artistic-scientific experimental perspective.